|
|
|
|
|
 |
|
 |
|
| POD Farm™ 2.5 comprend : |
|
POD Farm™ 2.5 Platinum comprend : |
|
| • 18 amplis guitare |
|
• 78 amplis guitare |
|
| • 24 enceintes guitare |
|
• 24 enceintes guitare |
| • 5 amplis basse |
|
• 28 amplis basse |
| • 5 enceintes basse |
|
• 22 enceintes basse |
| • 29 pédales et effets de studio |
|
• 97 pédales et effets de studio |
| • 6 préamplis micro |
|
• 6 préamplis micro |
| • Sons Dual Tone et comparaison A/B/Y |
|
• Sons Dual Tone et comparaison A/B/Y |
|
|
|
|
|
|
|
|
|
|
| Le POD Farm™ 2.5 Free comprend : |
|
|
|
| • 2 amplis guitare |
|
|
|
| • 2 enceintes guitare |
|
|
| • amplis basse |
|
|
| • 2 enceintes basse |
|
|
| • 13 pédales et d'effets de studio. |
|
|
| • 2 préamplis micro |
|
|
| • Sons Dual Tone et comparaison A/B/Y |
|
|
|
Certains sont des trésors Vintage, certains sont des merveilles de la technologie moderne, certains sont de pures créations de Line 6. Mais tous les modèles du POD Farm™ 2.5 sont inspirés par les sons de légende que l'on trouve dans les meilleurs studios de la planète.
|
| Modèle d'ampli de guitare basé sur un* |
|
|
|
|
|
|
|
Marshall® JCM-900 (Clean) |
|
Son creusé dans les médiums et extrêmement sensible au toucher du guitariste. Ce modèle offre des hautes fréquences cristallines de toute beauté. L'un des meilleurs sons clairs jamais créés. |
|
|
|
|
Blackface Fender® Twin Reverb® |
|
Le son typique de Nashville ! Montez le Drive et appréciez le mordant ! |
|
|
|
|
|
|
|
|
Vox® AC30 Top Boost |
|
Des sons brillants, chantants avec une sonorité adictive rendue célèbre par les générations de Rockers britanniques. |
|
|
|
|
Orange® AD30 |
|
Distorsion ronde à la sauce britannique avec des médiums enchanteurs. |
|
|
|
|
|
|
|
|
Diezel® Herbert |
|
Son de Metal moderne, creusé dans les médiums, pour les fanas de saturation. |
|
|
|
|
Gretsch 6156 |
|
Des médiums en avant pour un son de Rockabilly classique. |
|
|
|
|
|
|
|
|
Mesa/Boogie® Dual Rectifier® |
|
Ticket pour le paradis de la saturation ! Son précis, puissant et prêt à l'emploi. |
|
|
|
|
Line 6 Insane |
|
Créé pour les fous de Shredding. Son intense avec beaucoup d'impact et du mordant dans les médiums. Détruit tout sur son passage. |
|
|
|
| Modèles d'enceintes basse basés sur* |
|
|
|
|
|
|
|
Eden Traveler WT-300 |
|
Son super-clair parfait pour le Funk et la Fusion. Basses profondes et hautes fréquences très présentes. |
|
|
|
|
Ampeg® SVT® |
|
Un classique du genre, présent sur un nombre incalculable d'enregistrements et de scènes du monde entier. |
|
|
|
|
|
|
|
|
Ampeg® B-15A |
|
Hommage à la fin des années 60/début des années 70 : son clair, basses rondes. Le son de la Motown. |
|
|
|
Modèles d'amplificateurs guitare basés sur* : |
 |
|
 |
|
 |
|
|
|
|
|
|
|
|
|
| "Wide panel" Fender® Deluxe Reverb® |
 |
|
|
|
|
|
| Fender® Bassman® |
|
|
|
|
|
| Fender® Deluxe Reverb® |
|
|
|
|
|
| Vox® AC-30 |
|
|
|
|
|
| Marshall® Super Lead |
|
|
|
|
|
| Marshall® Super Lead ("jumped" channels) |
|
|
|
|
|
| Roland® JC-120 |
|
|
|
|
|
| Marshall® JCM-800 |
|
|
|
|
|
| Soldano SLO-100 |
|
|
|
|
|
| Mesa/Boogie® Dual Rectifier® |
|
|
|
|
|
| Marshall® 1974X (18W Reissue) |
|
|
|
|
|
|
Orange® AD30TC |
|
|
|
|
|
| L6 Treadplate |
|
|
|
|
|
| L6 Chemical X |
|
|
|
|
|
| L6 Insane |
|
|
|
|
|
| L6 Piezacoustic 2 |
|
|
|
|
|
| L6 Spinal Puppet |
|
|
|
|
|
| L6 Tube Instrument Preamp |
|
|
|
|
|
| Bogner® Uberschall |
|
|
|
|
|
| Cornford mk50h |
|
|
|
|
|
| Diezel® VH4-Lead |
|
|
|
|
|
| Diezel® Herbert |
|
|
|
|
|
| ENGL® Powerball |
|
|
|
|
|
| Marshall® Silver Jubilee |
|
|
|
|
|
| Marshall® JCM-900-Clean |
|
|
|
|
|
| Marshall® JCM-900-Dist |
|
|
|
|
|
| Marshall® JCM-2000 |
|
|
|
|
|
| Mesa/Boogie® Triple Rectifier® |
|
|
|
|
|
| Peavey® 5150 II® |
|
|
|
|
|
| Bogner® Ecstasy |
|
|
|
|
|
| Diezel® VH4-Crunch |
|
|
|
|
|
| Fender® Vibroverb |
|
|
|
|
|
| Fender® Dual Showman® Head |
|
|
|
|
|
| Marshall® JMP-1 |
|
|
|
|
|
| Vox® AC-15 |
|
|
|
|
|
| Mesa/Boogie® Mark IIc+ |
|
|
|
|
|
| Fender® Bassman® Head |
|
|
|
|
|
| Gretsch 6156 |
|
|
|
|
|
| Fender® Mini Twin Reverb® |
|
|
|
|
|
| Gibson® GA-18 Explorer® |
|
|
|
|
|
| Marshall® Super Bass |
|
|
|
|
|
| Marshall® Major |
|
|
|
|
|
| Silvertone® Twin Twelve |
|
|
|
|
|
| Supro® Thunderbolt |
|
|
|
|
|
| Vox® Fawn Non-Top Boost AC30 |
|
|
|
|
|
| Dumble® Clean |
|
|
|
|
|
| Soldano SP88 |
|
|
|
|
|
| Marshall® JCM 2000 |
|
|
|
|
|
| Marshall® Super Lead Variac |
|
|
|
|
|
| Matchless DC-30 |
|
|
|
|
|
| Blackface Fender® Twin Reverb® |
|
|
|
|
|
| Marshall® "Block Logo" JTM-45 head |
|
|
|
|
|
| Matchless Chieftain |
|
|
|
|
|
| Supro® S6616 |
|
|
|
|
|
| Fender® Tweed Champ® |
|
|
|
|
|
| Hiwatt® DR-103 |
|
|
|
|
|
| L6 Big Bottom |
|
|
|
|
|
| L6 Fuzz |
|
|
|
|
|
| L6 Octone |
|
|
|
|
|
| L6 Smash |
|
|
|
|
|
| L6 Sparkle Clean |
|
|
|
|
|
| L6 Throttle |
|
|
|
|
|
| L6 Clean |
|
|
|
|
|
| L6 Mood |
|
|
|
|
|
| L6 Agro |
|
|
|
|
|
| L6 Class A |
|
|
|
|
|
| L6 Variax Acoustic |
|
|
|
|
|
| L6 JTS 45 |
|
|
|
|
|
| L6 Lunatic |
|
|
|
|
|
| L6 Bayou |
|
|
|
|
|
| L6 Crunch |
|
|
|
|
|
| L6 Purge |
|
|
|
|
|
| L6 Sparkle |
|
|
|
|
|
| L6 Super Clean |
|
|
|
|
|
| L6 SuperSpark |
|
|
|
|
|
| L6 Twang |
|
|
|
|
|
| L6 Chunk Chunk |
|
|
|
|
|
|
Budda® Twinmaster 2x12 Combo |
|
|
|
|
|
|
|
|
|
|
Modèles d'enceintes guitare basés sur* : |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 6x9 Supro® S6616 |
|
|
|
|
|
|
| 1x8 1961 Fender® Tweed Champ® |
|
|
|
|
|
| 1x10 Gibson® |
|
|
|
|
|
| 1x10 Gretsch 6156 |
|
|
|
|
|
| 1x12 Line 6® |
|
|
|
|
|
| 1x12 1953 Fender® Tweed Deluxe Reverb® |
|
|
|
|
|
| 1x12 1964 Fender® Blackface Deluxe Reverb® |
|
|
|
|
|
| 1x12 1960 Vox® AC-15 |
|
|
|
|
|
| 1x15 1962 Supro® Thunderbolt |
|
|
|
|
|
| 2x2 Fender® Mini Twin Reverb® |
|
|
|
|
|
| 2x12 Line 6® Fender® |
|
|
|
|
|
|
2x12 1965 Fender® Blackface |
|
|
|
|
|
| 2x12 1995 Matchless Chieftain |
|
|
|
|
|
| 2x12 Roland® JC-120 |
|
|
|
|
|
| 2x12 1967 Vox® |
|
|
|
|
|
| 2X12 1967 Silvertone® Twin Twelve |
|
|
|
|
|
| 4x10 Line 6® |
|
|
|
|
|
| 4x10 1959 Fender® Bassman® |
|
|
|
|
|
| 4x12 Line 6® Marshall® |
|
|
|
|
|
| 4x12 1967 Marshall® Basketweave with Greenbacks |
|
|
|
|
|
| 4x12 1968 Marshall® Basketweave with Greenbacks |
|
|
|
|
|
| 4x12 1978 Marshall® with stock 70s |
|
|
|
|
|
| 4x12 1996 Marshall® with Vintage 30s |
|
|
|
|
|
| 4x12 Mesa/Boogie® |
|
|
|
|
|
|
|
|
Modèles de pédales et d'effets de studio basés sur* : |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Teletronix LA-2A® |
|
|
|
|
|
|
| EP-1 Tube Echoplex |
|
|
|
|
|
| Electro-Harmonix® Deluxe Memory Man |
|
|
|
|
|
| Uni-Vibe® |
|
|
|
|
|
| MXR® Phase 90 |
|
|
|
|
|
| Fender® Deluxe Reverb® Tremolo |
|
|
|
|
|
| Leslie® 145 |
|
|
|
|
|
| Arbiter Fuzz Face® |
|
|
|
|
|
| Ibanez® Tube Screamer® |
|
|
|
|
|
| Big Muff Pi® |
|
|
|
|
|
| ProCo Rat |
|
|
|
|
|
|
Maestro® Bass Brassmaster |
|
|
|
|
|
| Sans Amp Bass Driver |
|
|
|
|
|
| Arbiter Cry Baby |
|
|
|
|
|
| L6 Vetta Comp |
|
|
|
|
|
| L6 Sub Octaves |
|
|
|
|
|
| L6 Slap Plate Reverb |
|
|
|
|
|
| L6 Male De-Esser |
|
|
|
|
|
| L6 Female De-Esser |
|
|
|
|
|
| L6 Vetta Wah |
|
|
|
|
|
| L6 Digital Delay |
|
|
|
|
|
| L6 Six band semi-parametric EQ |
|
|
|
|
|
| L6 Flanger |
|
|
|
|
|
| L6 Sine Chorus |
|
|
|
|
|
| L6 Noise Gate |
|
|
|
|
|
| L6 Standard Spring Reverb |
|
|
|
|
|
| L6 Brite Room Reverb |
|
|
|
|
|
| L6 Medium Hall Reverb |
|
|
|
|
|
| L6 Cavernous Reverb |
|
|
|
|
|
| L6 Bender pitch effect |
|
|
|
|
|
| Boss® CS-1 Compressor (treble switch) |
|
|
|
|
|
| Tycobrahe® Octavia |
|
|
|
|
|
| Binson EchoRec |
|
|
|
|
|
| Maestro® EP-3 Echoplex |
|
|
|
|
|
| Boss® DM2 Analog Delay |
|
|
|
|
|
| Roland® RE-101 Space Echo |
|
|
|
|
|
| Square CE-1 Chorus |
|
|
|
|
|
| A/DA Flanger |
|
|
|
|
|
| Boss® CS-1 Compressor |
|
|
|
|
|
| MXR® Dyna Comp |
|
|
|
|
|
| Vox® V847 Wah |
|
|
|
|
|
| Custom Vox® V847 Wah |
|
|
|
|
|
| Colorsound® Wah-Fuzz |
|
|
|
|
|
| Maestro® Boomerang Wah |
|
|
|
|
|
| Cry Baby® Super |
|
|
|
|
|
| RMC Real McCoy 1 Wah |
|
|
|
|
|
| Mu-Tron® III Down |
|
|
|
|
|
| Moog® and ARP style synth filters |
|
|
|
|
|
| Moog® Lead |
|
|
|
|
|
| ARP Solina / Elka® Strings |
|
|
|
|
|
| Boss® Metal Zone® MT-2 |
|
|
|
|
|
| Chandler Tube Driver® |
|
|
|
|
|
| Fender® Vibratone |
|
|
|
|
|
| L6 Sweep Echo |
|
|
|
|
|
| L6 Reverse Delay |
|
|
|
|
|
| L6 Stereo Delay |
|
|
|
|
|
| L6 Ping Pong Delay |
|
|
|
|
|
| L6 Small Room |
|
|
|
|
|
| L6 Lux Spring |
|
|
|
|
|
| L6 Auto Swell |
|
|
|
|
|
| L6 Auto Pan |
|
|
|
|
|
| L6 Large Hall |
|
|
|
|
|
| L6 Vintage Plate |
|
|
|
|
|
| Mu-Tron® III |
|
|
|
|
|
| 1960 Vox® AC15 Tremolo |
|
|
|
|
|
| L6 Tiled Room |
|
|
|
|
|
| L6 Rich Chamber |
|
|
|
|
|
| L6 Large Plate |
|
|
|
|
|
| Boss® CE-1 Chorus Ensemble |
|
|
|
|
|
| L6 King Spring |
|
|
|
|
|
| L6 Dark Hall |
|
|
|
|
|
| L6 Chamber |
|
|
|
|
|
| L6 Vetta Juice |
|
|
|
|
|
| L6 Boost & EQ |
|
|
|
|
|
| L6 Clean Sweep |
|
|
|
|
|
| L6 Seizmik Synth |
|
|
|
|
|
| L6 Double Bass |
|
|
|
|
|
| L6 Buzz Wave |
|
|
|
|
|
| L6 Rez Synth |
|
|
|
|
|
| L6 Saturn 5 Ring Mod |
|
|
|
|
|
| L6 Synth FX |
|
|
|
|
|
| L6 Synth Harmony |
|
|
|
|
|
| L6 Squarge Chorus |
|
|
|
|
|
| L6 Expo Chorus |
|
|
|
|
|
| L6 Random Chorus |
|
|
|
|
|
| L6 Square Flange |
|
|
|
|
|
| L6 Expo Flange |
|
|
|
|
|
| L6 Lumpy Phase |
|
|
|
|
|
| L6 Hi-Talk |
|
|
|
|
|
| L6 Sweeper |
|
|
|
|
|
| L6 POD® Purple X |
|
|
|
|
|
| L6 Random Sample and Hold |
|
|
|
|
|
| L6 Tape Eater |
|
|
|
|
|
| L6 Warble-matic |
|
|
|
|
|
| L6 Low Rez Delay |
|
|
|
|
|
| L6 Phaze Eko |
|
|
|
|
|
| L6 Bubble Eko |
|
|
|
|
|
|
|
|
Modèles d'amplificateurs basse basés sur* : |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Ampeg® SVT® |
|
|
|
|
|
|
| Ampeg® B-15A |
|
|
|
|
|
| Eden Traveler WT-300 |
|
|
|
|
|
| Fender® Bassman® head |
|
|
|
|
|
| Gallien Kruger 800RB |
|
|
|
|
|
| Hiwatt® DR-103 |
|
|
|
|
|
| Hiwatt® 200DR |
|
|
|
|
|
| Fender® Dual Showman® |
|
|
|
|
|
| Fender® Bassman® Combo |
|
|
|
|
|
| Mesa/Boogie® Bass 400+ |
|
|
|
|
|
| Polytone Minibrute |
|
|
|
|
|
|
Sunn® Coliseum |
|
|
|
|
|
| SWR® SM-500 |
|
|
|
|
|
| Versatone Pan-O-Flex |
|
|
|
|
|
| Vox® AC-100 |
|
|
|
|
|
| Marshall® Major |
|
|
|
|
|
| Marshall® Plexi Super Bass |
|
|
|
|
|
| Acoustic 360 |
|
|
|
|
|
| Aguilar® DB750 |
|
|
|
|
|
| Alembic F-2B |
|
|
|
|
|
| L6 Tube Bass Preamp |
|
|
|
|
|
| L6 Classic Jazz |
|
|
|
|
|
| L6 Brit Invader |
|
|
|
|
|
| L6 Super Thor |
|
|
|
|
|
| L6 Frankenstein |
|
|
|
|
|
| L6 Ebony Lux |
|
|
|
|
|
| L6 Doppelganger |
|
|
|
|
|
| L6 Sub Dub |
|
|
|
|
|
|
|
|
Modèles d'enceintes basse basés sur* : |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1x12 Euphonics CXL-112L |
|
|
|
|
|
|
| 1x12 Versatone Pan-O-Flex |
|
|
|
|
|
| 1x15 Ampeg® B-15 |
|
|
|
|
|
| 1x15 SWR® Big Ben |
|
|
|
|
|
| 1x15 Polytone Minibrute |
|
|
|
|
|
| 1x18 Acoustic 360 |
|
|
|
|
|
| 1x18 Mesa/Boogie® |
|
|
|
|
|
| 1x18 + 12 Sunn® Coliseum |
|
|
|
|
|
| 2x10 Ashdown® ABM 210T |
|
|
|
|
|
| 2x15 Fender® Dual Showman® |
|
|
|
|
|
| 2x15 Mesa/Boogie® |
|
|
|
|
|
|
2x15 Vox® AC-100 |
|
|
|
|
|
| 4x10 Line 6 Original |
|
|
|
|
|
| 4x10 Fender® Bassman® Combo w/ new speakers |
|
|
|
|
|
| 4x10 Fender® Bassman® Combo |
|
|
|
|
|
| 4x10 Hartke® |
|
|
|
|
|
| 4x10 David Eden® |
|
|
|
|
|
| 4x12 Hiwatt® Bass Cab |
|
|
|
|
|
| 4x12 1967 Marshall® Basketweave w/ Greenbacks |
|
|
|
|
|
| 4x12 1968 Marshall® Basketweave w/ Greenbacks |
|
|
|
|
|
| 4x15 Marshall® Major |
|
|
|
|
|
| 8x10 Ampeg® SVT® Cab |
|
|
|
|
|
|
|
|
Modèles de préamplis modernes et Vintage basés sur* : |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| API® 512c with API® 550b EQ |
|
|
|
|
|
|
| Neve® 1073 |
|
|
|
|
|
| Avalon Vt737 |
|
|
|
|
|
| Requisite Y7 |
|
|
|
|
|
| L6 Solid State Console |
|
|
|
|
|
| L6 Lo-Fi |
|
|
|
|
|
|
|
* Tous les noms de produits mentionnés sur ce site web sont des marques commerciales appartenant à leurs détenteurs respectifs qui ne sont nullement associés ou affiliés à Line 6. Les marques commerciales d’autres fabricants servent exclusivement à décrire certains de leurs produits dont les sons et timbres ont été étudiés par Line 6 pour le développement de ses modèles sonores.
|
Boutique Line 6 
Nouvelles
Presse
Emplois
Assistance
Contacter 
