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Guitar World, April 2008 |
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"With the Spider Valve 212, Line 6 may have created the ultimate gigging
amp for tube connoisseurs and digital delinquents alike." |
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Guitar Player, April 2008 |
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"A groundbreaking modeling/tube hybrid. Super powerful output section
massages the digital front end wonderfully. Loud and punchy." |
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Top Gear Picks for Low-End Players, Guitar World - January 2008 |
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"Line 6's LowDown bass amps deliver an array of dialed-in, stage-perfected bass tones. While most bass combos focus on volume and clean tone, LowDown amps offer an array of bass amp models that cover everything from funk to classic rock and beyond. Plus, the oversized, high-speed power amp has... |
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The Gym Class Heroes' Guide to Hip-Hop Guitar - EQ, January 2008 |
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"It's a pedal version of the POD, and its really convenient because I can tweak all the sounds I need, and then name the preset. For example, I'll just have my "Papercuts" program that will bring up all these delays. It's a super intuitive and versatile pedal. It's really fantastic." (PODxt Live)... |
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The Setlist - Guitar World, December 2007 |
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"I really love this pedal, mainly for its Leslie simulator. Sometimes I'll get hired to play 'The Star-Spangled Banner' at a baseball game, and I always make sure I bring this pedal with me so I've got my Hendrix tone right there." (MM4 Stompbox Modeler) - Frank Hannon of Tesla, Guitar... |
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Avenged Sevenfold - Total Guitar, December 2007 |
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"We tried that out at the end of the song Scream, where we were trying to a dark, almost Pink Floyd-esque, backwards reverb and we took a Line 6 DL4 with a 14 second delay and put it through the Motif. We would go back and forth, playing Castlevania-type guitar shit. It became the most unique... |
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Line 6 Pocket POD - Premier Guitar, November 2007 |
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"The Pocket POD sounds really good, and spending some time fine-tuning your own presets is rewarded with tones that can work really well in home recording situations" - James Egolf, Premier Guitar, November 2007
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