|AC-DC||Brit J-45 / 524287||Classic Rock||
|Back in Black||Angus Young|
|Nick_Mattocks||This should put you somewhere near a typical AC-DC tone. Bridge humbucker recommended||9/30/10|
|N/A||Blackface 'Lux / 524287||Country rock||
|Generic slightly gritty country rock tone with a bit of slap-back delay||N/A|
|Wishbone Ash||Brit J-800 / 524287||70's Rock||
|The King Will Come any from the Argus album||Ted Turner|
|Nick_Mattocks||Adjust to taste||9/30/10|
|Creedence Clearwater Revival||Blackface Double / 524287||Swamp Rock||
|Born on the Bayou||John Fogerty|
|Led Zeppelin||Brit J-45 / 524287||Rock-Blues||
|Since I've Been Loving You||Jimmy Page|
|Nick_Mattocks||An attempt at getting that echo-ey blues tone that JP used on Led Zeppelin III for this song||9/30/10|
|N/A||Treadplate / Treadplate||Rock||
|Nick_Mattocks||Designed to be big in the solo dept. Based on Dual Rectifier amp model||9/30/10|
|4 The Love of God||Steve Vai???|
|Nick_Mattocks||This preset is copied from the Spider IV preset of a similar name. It may need some tweaking, but seems reasonably close to the tone Steve Vai gets on the original recordingto me. YMMV||10/20/10|
|Lynyrd Skynyrd||Class A-30 TB / 524287||Country Rock||
|(go on - guess....)||Ed King|
|Delaney and Bonnie and Friends||Brit P-75 / 524287||70's laid back rock||
|Coming Home||Eric Clapton|
|Nick_Mattocks||I always liked the guitar tone and feel of this song, so I accidentally ended up creating something close with the HD500||9/30/10|
|Robert Plant Band||Blackface Double / Blackface Double||AOR||
|Big Log||Robbie Blunt|
|Nick_Mattocks||A very hard tune to get the correct tone for. Hopefully this is close. Best with Strat||9/30/10|
|Song||Back in Black|
|Comments||This should put you somewhere near a typical AC-DC tone. Bridge humbucker recommended|
|Song||Generic slightly gritty country rock tone with a bit of slap-back delay|
|Song||The King Will Come any from the Argus album|
|Comments||Adjust to taste|
|Song||Born on the Bayou|
|Song||Since I've Been Loving You|
|Comments||An attempt at getting that echo-ey blues tone that JP used on Led Zeppelin III for this song|
|Comments||Designed to be big in the solo dept. Based on Dual Rectifier amp model|
|Song||4 The Love of God|
|Comments||This preset is copied from the Spider IV preset of a similar name. It may need some tweaking, but seems reasonably close to the tone Steve Vai gets on the original recordingto me. YMMV|
|Song||(go on - guess....)|
|Style||70's laid back rock|
|Comments||I always liked the guitar tone and feel of this song, so I accidentally ended up creating something close with the HD500|
|Comments||A very hard tune to get the correct tone for. Hopefully this is close. Best with Strat|
Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).
The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.
Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.
For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.
Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.
Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.