4470 tones found
POD HD500 tones
| Product | Tone Name | Guitarist | Song | Band | Amp | Style | Downloads | ||
| Author | Comments | Date | Pickup | Rating | |||||
|
|
|
KEITH URBAN | Hiway 100 | 167 |
|
||||
| pjwallison | 1/26/13 | ||||||||
|
|
|
DR Z CHICK'N PIC | PhD Motorway | 107 |
|
||||
| pjwallison | 1/26/13 | ||||||||
|
|
|
MARSHALL JCM800 | AC/DC, Foghat, Foreigner, Stone Temple Pilots, | Brit J-800 | Hard rock | 384 |
|
||
| chrisjw5 | I know there are a million Marshall 800 patches on here, but I never found anything that had what I wanted. So I tore down my existing ones and built from scratch. Played through my Edwards Jimmy Page or my single-space SD HB Tele this is (for me) the perfect balance of bite and articulation. And no mud. I'm also learning more about using Delay and Reverb to widen the sound without making it sound like an overprocessed echo chamber. I put my two favorite ODs at FS1 (Tube Drive to beef rhythm) and the Screamer at FS5 (for solo boost). I also tossed in a Flanger at FS2. Heavy enough to play Foghat and AC/DC, articulate enough to play Sonic Temple-era Cult, and AC/DC {UPDATE} I also put Vetta Juice at FS7, kick this on - especially if not using the ODs - to goose the front end. | 1/26/13 | |||||||
|
|
|
Shimmer XII | Tom Petty, The Cure | Stairway To Heaven, Just Like Heaven | Tweed B-Man Brt | 302 |
|
||
| chrisjw5 | I started out trying to emulate a 12 string, which is one of the things I don't think the HD series does well. What I did get is a cool twist on it. Using the Whammy, I set it an octave up and panned it slightly left, with a Flanger after it to give a delayed bit of slight wobble. Is it a true 12? No, but it IS a very cool (IMO) shimmering tone that can sub for an electric 12 live. Try playing anything from the Stairway intro to Tom Petty-esque jangle to 80's Cure and even War-era U2. Think New Year's Day. This won't be your main tone, but I think this will stick in the rotation. | 1/26/13 | |||||||
|
|
|
Slash AFD | Slash | Sweet Child O' Mine, et al | Guns N' Roses | Brit J-800 Pre | Hard Rock | 230 |
|
| chrisjw5 | Does anyone have more presets named after him than Slash? Add one more. This is a tweak on my JCM800 patch to sweeten it a bit. I added more mid and treble, made the mic a 57 On Axis instead of Off, for more bite. I widened the delay and reverb (prob more than I'd normally use, but I was trying to think differently). FS5 introduces a Tube Drive and longer delay for soloing. I also put an Octaver at FS2, mimicing the new Slash Octave Fuzz pedal from MXR | 1/26/13 | |||||||
|
|
|
Fires | Russell Marsden | Fires | Band of Skulls | Blackface Double Vib / Blackface Double Vib | Rock | 89 |
|
| ofroese | 1/26/13 | ||||||||
|
|
|
High Gain Tone | Periphery | Brit J-800 | Metal | 167 |
|
||
| dariusmcgahee | 1/26/13 | ||||||||
|
|
|
CLEAN_TONE1 | teodie manalo | r&b/ballad/pop | SYNFONIA BAND | Blackface 'Lux Nrm Pre | Slow finger style | 184 |
|
| hamaliel | all of my tones are created with fender stratocaster lace sensor pickup HSS,thru podhd500; output settings set to direct out/line; 1/4" out switch to line (if too loud switch to amp)guitar in switch to normal. and pod hd500 connected to the power amp in of a fender deluxe 90. you can also set your output settings of your podhd500 to power amp combo and hear the difference of the tone. | 1/27/13 | |||||||
|
|
|
CLEAN_TONE2 | SYNFONIA BAND | Blackface 'Lux Nrm Pre | SLOW FINGER STYLE | 161 |
|
||
| hamaliel | all of my tones are created with fender stratocaster lace sensor pickup HSS,thru podhd500; output settings set to direct out/line; 1/4" out switch to line (if too loud switch to amp)guitar in switch to normal. and pod hd500 connected to the power amp in of a fender deluxe 90. you can also set your output settings of your podhd500 to power amp combo and hear the difference of the tone.PLEASE SEND ME A MESSEGE AT MY EMAIL (jackupasturious@yahoo.com) and tell about the tone i created . thank you! | 1/27/13 | |||||||
|
|
|
CLEAN_TONE4 | Blackface 'Lux Nrm Pre | 105 |
|
||||
| hamaliel | 1/27/13 | ||||||||
Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).
The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.
Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.
For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.
Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.
Close
Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.






